52 FILMS BY WOMEN: #18 Leave No Trace (2018) USA Written by Debra Granik What do you do when that stray that you love, is your dad? First off, before getting into this wonderful film, hats off to Debra Granik in making the most poignant film/character study/ Love Letter to the idea of “Daddy’s little…
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52 FILMS BY WOMEN: #17 Tully (2018) USA Written by Diablo Cody Every mom out there…has been there. After childbirth and in the first year of raising a child, even the best Mom can feel “Empty” at one point or another. Empty as in, tapped out of energy to keep everything going. Empty as in…
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52 FILMS BY WOMEN: #15. Advantageous (2015) U.S.A. Jennifer Phang In an overpriced world where existing comes at a high price, Gwen the spokeswomen for a body modification company realizes she is being aged out of her job. With no job prospects and a daughter Jules whom she wants to give a better chance…
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52 FILMS BY WOMEN: #14. What Happened Miss Simone (2015) U.S.A. Liz Garbus Hands down, this documentary opening is the most captivating, that I’ve ever seen. Many artist claim to give themselves to the audience but here we are observed by Nina! Are we worthy of her performance? We wait in silence as she…
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52 FILMS BY WOMEN: #9. The Rape of Recy Taylor (2017) U.S.A. – Nancy Buirski A mother walking home from evening service with 2 friends is accosted by six men, kidnapped and raped. There would be justice. In 1944, a Black mother walking home from evening service with friends a black couple in…
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52 FILMS BY WOMEN: #7. Mudbound (2017) U.S.A. Directed by Dee Rees When two men return home from the war to their families, though they find each other’s friendship as a PTSD coping mechanism…the town is not quite ready to offer them equal amounts of respect. The film is a powerful slow burn, that paints…
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#1. The Invitation (2015) USA by Karyn Kusama #52FilmsByWomen REVIEW RETURNING SHORTLY
Historical Saw “Detroit”. Where are the strong Black Mothers of Detroit? It made me sad, angry and just plain gutted me emotionally. I am not recommending this film and here’s why… Of the 3 audience questions taken… I got to ask “the elephant in the room” question which I directed to Kathryn…
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Advocacy#STEP #StepIsLife #BlackGirlMagic 2 women …(yes I must note Caucasian for specific reasons of intent and personal motivation) set out to tackle “American Blackness” and “Black history” Major Historical Event… #1 “STEP” Amanda Lipitz (Baltimore angst right after Freddie Gray verdict) And then #2 “Detroit” Kathryn Bigalow (The 1967 Detroit riots) Both films open this…
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Civil War Feminism…Without Black Women, but appropriating their style? Sofia said in Vanity Fair “I did not want to perpetuate an objectionable stereotype where facts and history supported my choice of setting the story of these white women in complete isolation, after the slaves had escaped. Moreover, I felt that to treat slavery as a…
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